Atlas Place is being retired. All of the content published to date has been ported over to a new project, Imprintable, which will hopefully prove a more pliant infrastructure for documenting my conversations with artists and educators about their work, how their practice is rooted in a place, and how the landscape is shaped in turn by their presence.
Atlas Place will no longer be updated, but I will leave it intact as long as WP will let me.
Halvard Johnson invited me to guest edit one of his poetry blogs, Truck, during the month of May, 2014. After announcing a Call for Works, I received a note from Canadian artist Marlene Creates, with links to her recent work involving in situ poetry readings in the boreal forest where she lives in Newfoundland. We agreed to conduct a brief interview for Truck to introduce Marlene’s work, and the resulting exchange blossomed into a lengthy discussion about place, environmental stewardship, documentary practice, and artistic mapping. Realizing that I had tapped into a much richer vein than anticipated, I created Atlas Place as a means of honoring the open-ended nature of my conversation with Marlene, knowing that I could extend this format to any number of artists, poets, composers, educators, and other creative thinkers.
So, here is the start of a map, a collection of conversations and investigations into the vagaries of place and what it means to those of us who have dedicated our lives to better understanding why we live and work where we do, what impact these places have on our work, and what marks we, in turn, leave on the places we inhabit.
Atlas Place is part of the Atlas series, an infrastructure for creative projects rooted in walking-based investigations of the landscape. Manifesting in poetry, sound, photography, drawing, performance, and oral history, the various Atlas installments work together in a collected meditation on place, meaning, and memory.
Mar Vista, California